Parabola 01, Bowstring Tension
Year: 2025
Material/Technique: Photograph, Mixed Media
Size: 50 × 40 cm
Edition: Open Edition
Signed:Included

About the Work
- Year
- 2025
- Material/Technique
- Photograph, Mixed Media
- Size
- 50 × 40 cm
- Edition
- Open Edition
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Category
- Photograph
- Style
- Society / Politics / History, Geometry, Minimalism, Philosophy / Vanitas, Asia, Abstract, Conceptual, Portrait, Fantasy, Emotional
Work Details
This work captures a figure crouched low to the ground, drawing a bow with taut tension. It does not merely reenact hunting or combat, but visualizes the structural logic underlying the act of throwing. The drawn string embodies an accumulation of force and potential energy; it is at once the physical point of trajectory and a metaphor for social and historical experience.
Within the context of Parabola, this action is read as a visualization of the “logic of projection.” Throwing is not simply a bodily gesture—it has historically evolved from stones to arrows to missiles, forming a continuous topology of violence. This photograph embodies a fragment of that logic: the body pressed into the grass becomes the locus of force, compelling viewers to confront the process of tension and latent violence.
The image is less about the “release” than the suspended moment of drawing—the critical threshold before discharge. This suspension demands reflection: how does the logic of violence exist even before it is enacted, and how does it continue to shape our understanding of the body, power, and memory across history and the present?
2025
View in a Room
How to Buy
Join the waiting list
There are no artworks by YINXIANGQI for sale. Join the waiting list to be notified when artworks become available for purchase.
Start Chat
Our art concierge is here to help. Please feel free to chat with us about artwork recommendations or issues with purchasing.
Artist
Contemporary Artist
Yin Xiangqi is a visual artist based in Nagoya, Japan, working across photography, installation, and moving image. His interdisciplinary practice visualizes the mechanisms of violence, structures of power, and historical memory. Through installation-based video narratives, he intervenes in viewers’ sensory experience, investigating how technological media shape the dynamics of looking and being looked at.
His works have been exhibited at institutions such as Three Shadows Photography Art Centre, Kong Space Art Museum, Chengdu Art Museum, TOFU (Denmark), and Der Greif (Germany). His ongoing project Very Good Me and You has been presented across China and Japan, and was selected for the Guest Room Scholarship Program by Der Greif in 2024. He has been interviewed by Der Greif, Three Shadows Photography Art Centre, among others.
Send a Sticker
Support Request Message
Send a Sticker to this artwork and support the artist.(¥160〜)
What is Sticker?























我目前在名古屋进行摄影、装置与影像的跨媒介创作,作品关注暴力的拓扑结构、权力的制度机制,以及历史如何被物件、图像与技术所中介。维持工作室的日常开销、材料与设备的更新、展览的布展与运输,都是我创作过程中必须面对的现实挑战。您的赞助将直接帮助我继续进行新的作品实验,并推动我正在展开的研究与展览计划——例如正在进行的《放物线》和长期项目《非常好的我和你》。我希望通过这些作品,让更多人感受到艺术对于历史记忆与当下经验的再思考。每一份支持不仅是物质上的帮助,更是让我能够坚定走在艺术道路上的力量。非常感谢您的关注与鼓励!