Humans

Year: 2020

Material/Technique: Oil, Canvas

Size: 227.3 × 181.8 × 5 cm

Edition: Unique

Signed:Not Set

4 Stickers & 3 Comments
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Humans

About the Work

Year
2020
Material/Technique
Oil, Canvas
Size
227.3 × 181.8 × 5 cm
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Not Set
Category
Painting
Style
Abstract

Work Details

人間を、絵に描く。

バカっぽさ、苦しさ、真剣さ、そしてやっぱりバカっぽさ。

全部丸ごと描く。

Draw humans.

Stupid, suffering, serious, and after all, stupid.

Draw all that is human.

sequence | MIYASHITA PARK ホテルエントランス
sequence | MIYASHITA PARK ホテルエントランス

Exhibition Information

Exhibition Venue
sequence | MIYASHITA PARK
Permanent

Artist

Azuma Shinya
✔︎

Shinya Azuma makes a sketch of images inspired by the news programmes or sceneries in daily life through his experience, and remakes it on canvas with bold brush strokes. Azuma’s simple paintings with peculiar colour usage and dynamic texture of the medium have quirkiness somehow, and vigour which stops us to see the picture. The themes of the works range from some well-timed serious issues such as the wealth inequality or protests all over the world to personal sexual experiences, but they all capture different aspects of humanity. Like memes on social media, the distinctive type of humour which can be both of the satire and the self-deprecating sarcasm is one of the attractions on his works.


Shinya Azuma was born in Osaka in 1994, and currently based in Kyoto, Japan. Azuma received M.F.A in Contemporary Art from Kyoto University of Art and Design.

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Support Request Message

今後の制作費のため、ご支援いただいたお金は大切に使わせていただきます!

Send a Sticker to this artwork and support the artist.(¥160〜)

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Comments & Stickers

Popular Comments

shinichi1984

しんいち1984 has sent
Blue Sticker.

almost 6 years ago

見てて凄く落ち着きます🎨

kasumi

Kasumi Matsumoto has sent
Red Sticker.

about 6 years ago

めっちゃくちゃな人波をかき分けてMIYASHITA PARKの上の奥まで、、、みたかった作品に会いに行けました!paintingやけど立体的な顔に、自分の顔が張り付いたような感覚で吸い込まれました。 very flowerという作品がずっとめっちゃ気になってるので、またタイミングがあってどこかでお目にかかれますように…。

MasaToyama

Masamichi Toyama has sent
Silver Sticker.

about 6 years ago

東くんのこれからの成長を見ていけるのが現代アートの良き点であり楽しみ。 この展示がその重要な出発点のひとつだったと、後で語られたい。

Last updated date
07.30.2020