ベジタブル・ウェポンーお煮染め/福島  Vegetable Weapon: Nishime (Simmered Vegetables) / Fukushima

Year: 2011

Material/Technique: C Print

Size: 34.5 x 48 cm

Edition: Unique

Signed:Not Set

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ベジタブル・ウェポンーお煮染め/福島  Vegetable Weapon: Nishime  (Simmered Vegetables) / Fukushima

About the Work

Year
2011
Material/Technique
C Print
Size
34.5 x 48 cm
Edition
Unique
Signed
Not Set
Credits
Courtesy of MISA SHIN GALLERY
Frame
Not Included
Work Certificate
Not Set
Category
Photograph
Style
Portrait

Work Details

MISA SHIN GALLERYから作家への手紙

MISA SHIN GALLERYは、小沢剛の代表作のひとつ、野菜で作られた武器を持つ女性のポートレイトのシリーズ「ベジタブル・ウェポン」を出展いたします。

小沢は、時代や歴史を鋭く見つめ、しなやかな感性と創造力で、ユーモアと機知に富んだ作品で知られるアーティストです。「ベジタブル・ウェポン」シリーズは、2001年の同時多発テロをきっかけに始めたプロジェクトで、これまでにアジア、アメリカ、ヨーロッパ、オセアニア、アフリカと様々な地域で50回以上行われてます。各地でモデルとなる人物を探し、地元料理などから一品提案してもらい、必要な食材を一緒に買いに行きます。食材を組み合わせて銃の形を作り、撮影します。撮影の後その武器は解体され、モデルらプロジェクトの参加者とともに調理し、撮影地の地元料理へと姿を変え、皆で食卓を囲み過ごすひとときもまた作品の一部であると考えられてます。

作品の物語

本作は、東日本大震災が起きた年の春に福島で撮影されました。桜や菜の花などが咲きほこる穏やかな風景とは裏腹に、人々の心に暗い影を落としていたこの春、震災前に展覧会などを通じて知り合った福島の友人たちと食卓を囲みました。

エディション 6/10

額装ご希望の方は、ご相談ください。

Exhibition Information

Past Exhibitions

Artist

Tsuyoshi Ozawa
✔︎

Born in Tokyo in 1965. Earned master’s degree from the Department of Fine Arts of the Graduate School of Tokyo National University of Fine Arts and Music (majoring in mural painting) in 1991. Ozawa’s notable works include: his “Jizoing” series, in which he photographs statues of homemade Jizo statues situated in different environments; his Nasubi Gallery series of portable micro-galleries made from milk boxes; his “Museum of Soy Sauce Art,” in which he reproduces historical Japanese art masterpieces using soy sauce; and his “Vegetable Weapon” series of photographic portraits of young women holding “weapons” made of vegetables. Selected major solo exhibitions include: “Answer with Yes and No!” at the Mori Art Museum (Tokyo, 2004), “The Invisible Runner Strides On” at the Hiroshima City Museum of Contemporary Art (Hiroshima, 2009), “Tsuyoshi Ozawa : Everyone likes someone, as you like someone” at the Fukushima Prefectural Museum of Art and the Toyota Municipal Museum of Art (Fukushima, Aichi, 2012), “Tsuyoshi Ozawa Imperfection: Parallel Art History” at the Chiba City Museum of Art (Chiba, 2018).” The Seven Wonders Of Sanuki “The Kagawa Museum (Kagawa, 2025). Selected major group exhibitions include: “Saitama Triennale: Envisioning the Future!” (Saitama 2016) and “Yokohama Triennale : Island, Consetellations & Galapagos“ (Kanagawa, 2017), “13th Berlin Biennale for Contemporary Art” (Berlin, 2025), “Prism of the Real: Making Art in Japan 1989-2010” (Tokyo, 2025), and the recently partially modified “Slug Buddha 88” is on permanent display in the Valley Gallery, which opened at Benesse Art Site Naoshima in March 2022. Ozawa’s artistic collaboration “The Xijing Men”, explores themes related to breaking communication barriers, with Chinese artist Chen Shaoxiong and Korean artist Gimhongsok, “Xijing Is Not Xijing, Therefore Xijing Is Xijing.” at 21st Century Museum of Contemporary Art, Kanazawa. (2016), “Art and China after 1989: Theater of the World” at Solomon R. Guggenheim Museum and Guggenheim Museum Bilbao (New York, Bilbao 2018).

See artist information

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Last updated date
06.30.2020