Untitled, Walking in Tenma Project #037/100
Year: 2014
Material/Technique: Acrylic, Paper
Size: 53 × 53 × 4.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 384
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2014
- Material/Technique
- Acrylic, Paper
- Size
- 53 × 53 × 4.5 cm
- Edition
- Unique
- Signed
- Included
- Credits
- © MIKI WANIBUCHI
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- MIKI WANIBUCHI
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Abstract
Work Details
Untitled, Walking in Tenma Project #037/100
Photos and colour grids of Tenma.
CONCEPT コンセプト
gallerism 2014（5/5- 11／京阪シティモール・大阪）参加にあたり、会場である京阪シティモールと天満という土地を実際に歩いた100日分の風景をInstagramで撮影し、その写真をもとに色としての情報だけを抽出し作品としました。会場の階段を上りながら観る者は作家の足跡と制作プロセスの一部をなぞり、その時間の積み重ねの証人となる。上りきった先には天満の空が広がり、その眼下の世界のなかに、これらのちりばめられた色を想像してもうことまでを想定したインスタレーション作品でした。100日／100枚のうちの1枚がこの作品です。
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For the occasion of exhibiting at Gallerism 2014 (5 – 11 May at Keihan City Mall, Osaka), I showed the process of my physically walking around the venue, Keihan City Mall and Tenma, for a hundred days and recapitulates the information and colours extracted, referring to the photos taken and recorded on Instagram. The viewer will trace the histor y of the process of my art work as they walk up stairs at the venue, and become the witness of the time accumulated. The roof-top floor commands a bird’s-eye view of Tenma, and I expected them to imagine the disseminated colours by the whole installation. This is one of those 100 artworks.
Walking in Tenma Project, "gallerism", 2014, Keihan City Mall, Osaka
Solo Show "Walking in Tenma Project", 2014, Amano Gallery, Osaka
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This artwork is available for purchase.
USD 384
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Fine artist who pursues the boundary.
I paint extremely abstracted ‘landscape painting', focusing only on the single point of ‘extracting colour from the landscape’. This is a work that raises questions about the way we view landscapes in today's IT-enabled society, and aims to provide an opportunity to realise the essence of ‘landscapes’, which can now be easily recorded and viewed by anyone, while moving between the boundaries of real and abstract, analogue and digital.
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What is Sticker?![LA2022-0925 [Nail Polish] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/93422_173416687971585_l.webp?4f3f5e4c4d6c100d)
![LA2022-0921 [Afternoon 2] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91184_173373719455849_l.webp?d92e0ae25bed39c5)
![LA2022-0919 [Afternoon] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91183_173373553021101_l.webp?140443ba7aa470e0)
![LA2022-0921 [Afternoon] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91182_173373468939273_l.webp?1c02bc602a0b2364)
![LA2022-0921 [Morning] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91181_173373610076735_l.webp?0b5b1d6e485686c9)
人と人、人と場所、場所と記憶。わたしの作品は、厳密に言うなれば、その接点そのものでしかありません。こちらとあちらを繋ぎ、観賞者にあちらを“理解”しようと一歩を踏み出させる、そんな使命をもったトリガーとなる作品をつくりつづけたい。ご支援よろしくお願いいたします。
Strictly speaking, my artwork is just the single point of contact between people and people, people and places, places and memories. I want to continue creating artworks that would serve as a trigger with a mission to connect us with each other, and to make viewers take a step forward to "understanding" it. Thank you for your support!