Deer 30
Year: 2025
Material/Technique: Canvas, Acrylic
Size: 91 × 73 × 3 cm
Edition: Unique
Signed:Included
About the Work
- Year
- 2025
- Material/Technique
- Canvas, Acrylic
- Size
- 91 × 73 × 3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Category
- Painting
Work Details
Artwork Price: ASK (tax included)
Size: H91 x W73 x D3 cm
Material: acrylic, canvas
Production year: 2025
Edition: one-of-a-kind
Framing: none
Work certificate: ◯
Sign: ◯
Sales period: 2025/9/3 (Wed) 11:00 to 9/15 (Mon) 20:00 [first-come-first-served basis]
*This is a limited sale item at Hankyu Men's Osaka. If you would like to purchase it, please check the work on this page.
■Exhibition information on exhibited works
This work will be exhibited at the group exhibition “ArtSticker SELECTION -Hankyu Men's Osaka Contemporary Art Gallery-” which will be held from 2025/9/3 (Wed) to 9/15 (Mon) at Hankyu Men's Osaka Contemporary Art Gallery.
ArtSticker SELECTION -Hankyu Men's Osaka Contemporary Art Gallery-
Session period
First semester: 2025/8/20 (Wed) to 9/1 (Mon)
Second semester: 2025/9/3 (Wed) to 9/15 (Mon)
Venue
Hankyu Men's Osaka B1 Contemporary Art Gallery
Address 7-10 Kakudacho
, Kita-ku, Osaka-shi, Osaka 530-0017
Opening hours
Weekdays: 11:00-20:00
Saturday/Sunday/Holidays: 10:00-20:00 *Business hours are subject to change
Rest
Open every day during the exhibition
Admission free access
5 minute walk from JR Osaka Station Midosuji South Exit
4 minute walk from Osaka Metro Midosuji Line Umeda Station ⑪ exit/ ⑥ exit
2 minute walk from Hankyu Osaka-Umeda Station 3rd floor ticket gate or 2nd floor central ticket gate
access information
https://web.hh-online.jp/hankyu-mens/contents/osaka/access/
Sponsor
Hankyu Men's Osaka
planning
ArtSticker (operator: The Chain Museum)
Planning cooperation
WHITE STONE GALLERY, SH GALLERY, VANILA GALLERY, ADMIRA GALLERY
[Handling of personal information when purchasing works]
・Personal information provided when applying for the purchase of this work will be used to appropriately respond to inquiries about the work and to guide information about the services we provide.
・Personal information provided when applying for the purchase of this work will be provided to Hankyu Hanshin Department Store Co., Ltd.
1. Contents of personal information provided to third parties
Contents entered to apply for purchase, such as the title of the work, your name, email address, address, phone number, etc.
2. Third parties providing personal information
Hankyu Hanshin Department Store Co., Ltd.
3. Purposes of use by third parties that have received the information
To deliver purchased works and respond to inquiries about works
Exhibition Information
- Past Exhibitions
- ArtSticker SELECTION -Hankyu Men's Osaka Contemporary Art Gallery-08.20.2025 - 09.15
View in a Room
Artist
現代美術家
1982年 石川県 金沢市生まれ 2005年 愛知県立芸術大学 美術学部 油画専攻 卒業 2007年 東京藝術大学大学院 美術研究科 修士課程 絵画専攻 修了 塚本 智也(1982年、石川県生まれ)は神奈川県を拠点に制作する現代美術家。エアブラシで極小 のドットを重ねて点描効果を生み出し、ドリッピングと軽やかな筆致を融合させた絵画を手がけ る。赤・青・黄の三原色を幾重にも吹き重ね、網膜上で混色させることで図と地の境界を溶解さ せる技法が特徴。 桜・鯉・人物像・鹿などのモチーフを通して光と影、生と死の循環を探究する。生の植物を型取っ たステンシルやネガ/ポジ反転を駆使し、ジョルジュ・スーラの視覚混合理論と琳派の装飾性を現 代的に更新。日本的な「かざり」の感性とミニマルな制作プロセスを両立させ、観る者を没入体 験へといざなう。 主な個展 2012年 「シルエット」|西武渋谷店 美術画廊|東京 2004年 個展|はるひ美術館|愛知 主なグループ展 2025年「Voices 2025」|華山1914文化創意産業園区|台北 2022年 I氏コレクション展「今どきアート2022 - 存在すること」|富岡市立美術博物館・福沢一 郎記念美術館|群馬 2012年 シェル美術賞 アーティスト セレクション展|国立新美術館|東京 2012年 群馬青年ビエンナーレ2012|群馬県立近代美術館|群馬 2004、2005年 シェル美術賞展|東京 賞暦 2018年 みなかみ町長賞|群馬 2014年 新潮賞 |Young Art Taipei 2014|台湾 2012年 ガトーフェスタ ハラダ賞|群馬青年ビエンナーレ 2012 2005年 第20回ホルベインスカラシップ奨学生|ホルベイン工業 2005年 卒業制作秀作賞|愛知県立芸術大学 2005年 桑原賞|愛知県立芸術大学 2003年 町民賞|第3回夢広場はるひ絵画ビエンナーレ|愛知 収蔵 I氏コレクション(富岡市立美術博物館・福沢一郎記念美術館 寄託)|群馬 みなかみ町|群馬 Tomoya Tsukamoto (b. 1982, Kanazawa, Ishikawa Prefecture) is a contemporary painter and artist based in Kanagawa, Japan. Using an airbrush, he builds layers of minuscule dots that shimmer with pointillist luminosity, contrasting them with fluid drips and brisk brush-marks. Successive veils of red, blue and yellow—the three primary colours—are sprayed so that the hues blend optically, dissolving the boundary between figure and ground. Motifs such as cherry blossoms, koi carp, human silhouettes and deer allow him to probe cycles of light and shadow, life and death. Stencils cast from living plants and alternating positive / negative images contemporise Georges Seurat’s optical theories and the decorative spirit of the Rinpa school. Balancing a distinctly Japanese sense of “kazari” (ornament) with a pared-down, minimalist approach, Tsukamoto invites viewers into an immersive chromatic field.
See artist information
