壁は幻。溶かしてしまえ | Melt the wall

Year: 2020

Material/Technique: Japanese Paper, Siegley

Size: 59.4 × 84.1 cm

Edition: Edition Available

Signed:Included

This artwork is available for purchase.

USD 689

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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壁は幻。溶かしてしまえ | Melt the wall

About the Work

Year
2020
Material/Technique
Japanese Paper, Siegley
Size
59.4 × 84.1 cm
Edition
Edition Available
Signed
Included
Credits
© Orecho HONDA / ORECHO STUDIO All Rights Reserved.
Frame
Included
Work Certificate
Included
Distributor of artworks
Orecho Honda
Ship-from Area
Fukuoka Prefecture
Days Until Dispatch
About 3 Weeks
Category
Painting
Style
Pop Art, Digital, Animation, Conceptual

Work Details

壁は幻。溶かしてしまえ | Melt the wall

Production year:2020

Size:59.4cm×84.1cm(A1size)

Technique:Digital painting, Giclee on Japanese paper

Edition:100

サイン:裏面に有り,製作年,エディションナンバーも記載

 

目標を想像する時に「今の状況」と「目的地」とを点で捉えてしまうと2点の境界に壁や隔たりがあるイメージが湧いてしまいます。

 

一旦イメージしてしまうと、その壁や隔たりを「如何にして超えるか?」「壊すか?」という方法の部分に意識が向いてしまいます。

視野が狭まってきて本来の目標から少しズレてくる事があるように感じます。

 

僕も自由を求めてアートをやっていたのに不安から色んな壁やルールを作っていたのかもしれません。

 

自分が今感じている壁は本当に存在するのか?

いつぞやの自分が自分でイメージして作ってしまっただけなんじゃないか?

そもそも壁なんて無いんじゃないか?

そんな事を思うようになり生まれた作品です。

 

When you imagine a goal, if you think of the "current situation" and the "destination" as a point, you will get the image of a wall or a gap between the two points.

 

Once you have an image of it, you have to ask yourself, "How can we overcome the walls and gaps? Do you want to break it? It's easy to get caught up in the way things are done.

I feel like my vision is getting narrower and sometimes I'm a little off from my original goals.

 

I was also doing art in search of freedom, but maybe I was building walls and rules out of insecurity.

 

Does the wall you are feeling now really exist?

Isn't that just an image that you made for yourself?

There is no wall in the first place, is there?

This is the work that was born when I started to think about it.

額装:木製ホワイトフレーム 表面:アクリル版 フレーム幅:13mm フレーム厚:20mm 重量:約2.5kg

フレームは幅狭で作品をすっきりと見せるものを選びました。

またフレームに厚みがあるので奥行き感があり作品に立体感が出ます。

カラーはシンプルでインテリアの邪魔にならない光沢のあるホワイトです。

『STAY HOME,YOUR HOME』出展作品

1. 外出自粛中は制作活動を行っていますか?

 

新しい作品の構想を練ったり過去作を見直し言語化する作業やwebに掲載している情報の更新などをすすめています。

日々めまぐるしく価値観が変化していく空気を感じながら自分にとって大事な物事を整理したり静かに自分と向き合う時間に充てています。

2. 家にいる楽しみは何ですか?(何をやっていますか?)

 

作品のアプローチについて考察したりSNSで作品についての解説記事を書いたり作業場を整理したりしています。

最近は頭の中や部屋、周囲の物事を整えるのに楽しみや充実感を感じています。

それと"禅的思想"について少しづつ研究しています。

3. この作品を制作した意図・背景を教えてください

 

何かを実現する為にはイメージする事が大事だという話をよく見聞きします。

自分も目標を達成したイメージを作ったり、比喩的だったり、擬人化だったり、色んなビジョンを作ってイメージしていました。

 

ある時、目標を想像する時に「今の状況」と「目的地」とを点で捉えてしまう事で生じる"壁や隔たり"のイメージに違和感を感じました。

壁や隔たりがイメージされた事で「如何にして超えるか?」「壊すか?」という"方法"の部分に意識が向いていたことに気が付きました。

自分の場合それによって不要な執着や囚われが現れて視野が狭まり本来の目標からズレた方向へと向かっていました。

 

自分が今感じている壁は本当に存在するのか?

いつぞやの自分が自分でイメージして作ってしまっただけなんじゃないか?

そもそも壁なんて無いんじゃないか?

そういう風に考えるのもアプローチとしてあっても良いのではないかと思って描いた作品です。

自室(アトリエ)の様子や制作する上で大切にしているモノ

 

10代の頃からターナーのアクリルガッシュを使ってます。

昔からずっとメインで使っているお気に入りのこの9色は愛着があり大事な色です。

製図台

 

祖父が使っていた製図台をずっと使っています。

高さや角度が調整出来、天板を外してキャンバス自体を固定させて使ったり出来て活躍しています。

今まで住んだ色んな部屋で一緒に作品を作ってきた仲間でもあります。

デジタル

 

オレチョ作品を刻み込んだMacBook Proと2019年に導入したiPad Proです。

2019年からiPad Proを使用したデジタルペインティングでの制作もする様になりました。

今はデジタルツールも筆や絵の具などと同じく画材だと捉えています。

Orecho=オレチョとは?

「オレチョ」は自身の作品シリーズをシンボル化した要素を融合させることで誕生したオリジナルキャラクター。

作家の自己が投影された表現者として度々作品に登場している。

名前の由来は"己"を"超"えるより。

What is Orecho?

"Orecho" is an original character created by combining symbolic elements from my artwork some series.

He often appears in the pieces as an expression of the artist's own thinking projected.

The origin of the name comes from "I want always overcome myself". In Japanese mean Ore=myself, cho=overcome.

Exhibition Information

Past Exhibitions

View in a Room

壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall
壁は幻。溶かしてしまえ | Melt the wall

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This artwork is available for purchase.

USD 689

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Orecho Honda
✔︎

Orecho Honda

contemporary artist

Orecho Honda is a contemporary artist who uses hologram materials to express the brilliance of everyday life. Influenced by fashion, rock music, design, spiritual world, Buddhist thought, etc., they are interested in modern society where diverse perspectives are visualized, and are working on the theme of “the real world created from viewpoints.” The work shining in rainbow colors, drawn with unique techniques, expresses the multifaceted nature of reality, believes that everyone can continue to change beyond their own boundaries, and questions the importance of consciously choosing a point of view. The artist's name “Orecho” symbolizes the will to go beyond one's own boundaries and continue to take on challenges. Orecho Honda | Orecho HONDA Born in Fukuoka Graduated from Musashino Art University, Department of Space Design, Fashion Design I create paintings as contemporary art with the theme of “the real world created from viewpoints.” Insights and realizations gained from fields such as fashion, rock music, design, spiritual world, quantum mechanics, and Buddhist thought became a starting point, and I became interested in modern society where diverse perspectives are visualized. Then, influenced by Cubism's multi-viewpoint expressions, we arrive at the theme of capturing the world and phenomena from multiple perspectives, choosing our own perspectives, and creating the real world. As an optimal expression for the theme, we created a unique technique called “drawing brilliance” using transparent paint on hologram material. This technique enables pictorial expressions that are “created by viewpoint,” that is to say, drastically changing the way you look at it depending on the point of view, and at the same time, it asks the viewer the importance of consciously choosing a point of view. I am also trying to create an intentional “empty” space within the work and visualize modern society that feels lacking due to informatization. Many everyday landscapes and plants are drawn as motifs from photographs taken by oneself, and a group of works using these hologram materials was named “Shining Special Things Series.” My image of the word “special” overlapped with the transformability that drastically changes expression depending on the light of the hologram material, and the transience of losing color depending on the situation. Additionally, memories of Bikkurimanseal, which was a social boom in my childhood, are connected as a longing for holograms. My creative activities were based on influences from Japanese comics, animation, and rock music where I was born and raised. In particular, themes such as “life and death” and “reincarnation” drawn in Tezuka Osamu's comic “The Firebird” are the starting point of thought in current creations. While searching for my own expression, I was also influenced by contemporary artists representing Japan, such as Takashi Murakami, Yoshitomo Nara, and Yayoi Kusama, and was impressed by works by contemporary sculptors such as Björndahlem, Anish Kapoor, and James Turrell, and in the process where my own questions and ideas became themes of production, I became aware of the context of conceptual art in contemporary art, cubist thought, and the context of expression, depending on the point of view within the work I want to include changing margins, so I create semi-three-dimensional works and mixed media works. In the modern age where information continues to explode and expand at an accelerated rate, I believe that the sense of consciously controlling “how to select and grasp information” will help people live in a more ideal world. Furthermore, I continue to create so that “everyone continues to grow beyond their own boundaries” can be conveyed through works. The artist's name “Orecho” symbolizes the basic concept of production “the will to continue to challenge beyond one's own boundaries.”

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Last updated date
05.30.2020
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