Innocent
Year: 2024
Material/Technique: Mixed Media, Canvas
Size: 38 × 45.5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2024
- Material/Technique
- Mixed Media, Canvas
- Size
- 38 × 45.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- weihung chien
- Ship-from Area
- 台湾
- Days Until Dispatch
- Not Set
- Category
- Painting
Work Details
Unruly 45.5 x 38 cm linen fabric coloring, classic paper, mineral pigments, graphite, gold clay
The concept of the work In Taiwan, every religion performs various rituals after death. In the private sector, there is a legend that the deceased will return in the form of a bug on the 7th day after birth. Therefore, even if insects are sighted during a funeral, they are often not killed because they are believed to be incarnations of the deceased. Also, at the time of the funeral, relatives and friends burn the deceased's clothes, large amounts of banknotes, houses and daily necessities made of paper, and hope that the deceased can live a peaceful and prosperous life in that world. Born into a Taoist family, I have attended many Taoist funerals since I was a child. Burning things for the deceased and seeing insects spread their wings around the flame, I associated it with Hayami Mishu's “Fire Dance.” With delicate and exquisite colors, sparks and flying moths are depicted in a dark space. “Mugen” was created by taking inspiration from Hayami Mifune's “Fire Dance” and her own experience attending a funeral in Taiwan. Withering sunflowers symbolize death, and butterflies and moths fluttering below symbolize the souls of the deceased returning to the funeral. Also, in the distance, a pattern of banknotes burned for the dead is faintly depicted. I want to express my thoughts and blessings for the deceased at religious funerals in Taiwan through a hazy atmosphere. Putto
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This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Japanese painter
CHIEN WEI HUNG was born in Taiwan in 1993. Received a doctorate (art) from Kyoto University of the Arts Graduate School in 2025. He carried out creative activities based in Japan from 2025 to early 2026, and is currently based in Taiwan. Adjunct Assistant Professor, Department of Fine Arts, National Taichung University of Education.With nature as the main subject, Kan's works depict the suppleness and ephemeral beauty of life. By capturing the appearance of plants in the changing seasons with delicate brushstrokes and projecting momentary moments, we question the essence of existence and the flow of time. Transparent textures are layered over and over on the screen, creating a serene and deep poetic space.The production uses “tenguchoshi (tenguchoshi)” unique to Japan, which is regarded as the thinnest paper in the world, based on azabu, and developed a unique Japanese painting technique. By layering many layers of decals and repeatedly applying mineral pigments, we have created a blurry and deep space, and we continue to explore the possibilities of expression that this material has in contemporary painting
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