It's not a water bike, it's not a cow

Year: 2024

Material/Technique: Oil, Canvas

Size: 31.8 × 41 cm

Edition: Unique

Signed:Included

This artwork is available for purchase.

USD 224

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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It's not a water bike, it's not a cow

About the Work

Year
2024
Material/Technique
Oil, Canvas
Size
31.8 × 41 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
Suzuki Sora
Ship-from Area
Aichi Prefecture
Days Until Dispatch
Not Set
Category
Painting
Style
Animal, Energy

Work Details

Concept and Intention of the Artwork

This work is a reconstruction of “The Sack of Europe” (George Frederick Watts, circa 1894, canvas, oil paint, Walker Art Gallery collection). It's a scene where Zeus transforms into a pure white bull, captivates Europa, and takes him away, but Zeus is in a bit of trouble because it's more like a water bike rider than expected, and the atmosphere is different from what he had imagined.

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It's not a water bike, it's not a cow
It's not a water bike, it's not a cow
It's not a water bike, it's not a cow
It's not a water bike, it's not a cow
It's not a water bike, it's not a cow
It's not a water bike, it's not a cow
It's not a water bike, it's not a cow
It's not a water bike, it's not a cow

How to Buy

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This artwork is available for purchase.

USD 224

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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2 Favorites
Need help with purchasing?
Suzuki Sora
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Artist

Suzuki Sora
✔︎

Suzuki Sora

painter

Born in Aichi in 1999. Completed Aichi Prefectural University of Art Graduate School of Fine Arts Master's Program in Oil Painting/Printmaking in 2025  I create with classical painting as a motif, and I focus on the gap that occurs between the original intention of the work and the impression I receive as a living in the present day, and create starting from this gap. The reason I create my work by focusing on gaps and misunderstandings is that I first want to affirm the misunderstandings and misunderstandings I feel in everyday life, and I want to convey that even if people's feelings and ways of thinking about society and events are slightly different from the facts, the feelings that develop at that time are irreplaceable and have value in themselves. I often misunderstand things, and sometimes misunderstand something. At such moments, I sometimes feel confused, but at the same time, I am made aware of the world and interpretations that only I can see. A casual sense of incongruity or misunderstanding is an entrance to a new perspective for me, and for me, looking at misunderstandings and misunderstandings is an act of accepting them through my own filter, affirming them, and sublimating them into my work. In other words, misunderstandings and misunderstandings are the driving force behind my creativity to live a positive life. Painter born in 1999. Completed the Master's Program in Oil Painting/Printmaking at Aichi Prefectural University of Art Graduate School of Fine Arts in 2025. Selected for the “23rd Art Gallery Home Exhibition”. Major exhibitions include the solo exhibition “I Want to Dream of Becoming a Dog” (Tokyo, 2023), solo exhibition “Can I Misunderstand” (Aichi, 2024), “ART STUDENTS STARS Vol. 3” (Tokyo, 2024), “23rd Art Gallery Home Exhibition” (Tokyo, 2024), “OVERTURE” (Aichi, 2024), “Nagakute Art Festival 2024” (Aichi, 2024), “SHOW CASE by ArtSticker” (Tokyo, 2025), “Beloved Things Exhibition” (Aichi, 2025), etc.

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Last updated date
04.28.2025
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