Pulsating planet
Year: 2019
Material/Technique: Japanese Paper, Pigment
Size: 91 × 72.7 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 9,326
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2019
- Material/Technique
- Japanese Paper, Pigment
- Size
- 91 × 72.7 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- TOMOAKI MURAYAMA
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Drawing
- Style
- Animal, Energy, Emotional
Work Details
pulsating planet
What I drew in the center was a giant salamander that overlapped over and over again into a sphere.
Giant salamanders are creatures I've often seen since I was a kid in my hometown of Tamba. The things I drew around it were also familiar to me, such as horned frogs, newts, prawn crabs, kawanis, and kengoro.
The composition seems to float like it's floating, which is impossible normally, but from the feeling that nature is a generous and free world beyond human recognition, I likened this sphere to a planet and used it as the title of the work.
I use only a pen to draw a group diagram of animals and plants.
The creatures that are almost improvised through daily observation of nature are intricately intertwined to express natural harmony without any boundaries.
We aim to capture nature in a freer way that goes beyond human interpretation.
Style and concept
In two-dimensional and three-dimensional works, animals and plants that transcend all boundaries and live freely express the concept of “harmony with nature.”
I think “drawing a picture is an extension of observing animals and plants,” and the motifs are drawn in detail with a single pen.
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How to Buy
This artwork is available for purchase.
USD 9,326
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
drawing artist
Nature has no boundaries
I sees that “drawing a picture is an extension of observing animals and plants,” and draws up the motifs in detail with a single pen.
In two-dimensional and three-dimensional works, animals and plants that transcend all boundaries and live freely express the concept of “harmony with nature.”
In addition to drawing on a flat surface, his works are being developed in the “3-Draw Series,” which involves drawing in three-dimensional form, installations combining flat and three-dimensional objects, and mural production.
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