Be close to becoming an elephant
Year: 2024
Material/Technique: Canvas, Oil
Size: 65.2 ร 53 cm
Edition: Unique
Signed:Not Set
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2024
- Material/Technique
- Canvas, Oil
- Size
- 65.2 ร 53 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Set
- Work Certificate
- Not Set
- Distributor of artworks
- Wade Shinichi
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Painting
Work Details
oil on canvas
I continue to create, as if to touch, to trace, to examine, with hot feverish hands, or cold callous hands, or frightened shriveled hands, carefully, or roughly, the outline and boundaries of existing, being, and drawing.
Testimonial
The world is a monster; it is tangible, and it is intangible. Life, death, time, spaceโwhile shuddering at the โoutsideโ that stands before our eyes, his will continues to fight and stand up just before becoming swallowed. The swarm of immense amount of paintings, drawings, words, books and videos, born as an abrasion between this outside and his will, reconstructs the world itself.
๏ผMitsuhiro Ikeda๏ผ
Exhibition Information
- Past Exhibitions
- ARTISTS' FAIR KYOTO 202502.28.2025 - 03.02
How to Buy
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SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artist
Born in 1976, representative of Shoutousha. He graduated from Kyoto Junior College of Art in 1997 with a degree in Western painting, and received the 23rd Holbein Scholarship in 2008. He is the author of Shin-Do: Touching the Bottom of the Human World (Airi Shuppan, Kyoto, 2023).
For the past 10 years, he has been taking a break from presenting his work, and has been attempting to recapture the act of painting and creating from scratch.
Major exhibitions include โSIGNALโ at Gallery RAKU in 2004, โLife/Paintingโ at Gallery RAKU in 2005, and โArt Court Frontier 2014 #12โ at Art Court Gallery in 2014.
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I continue to create, as if to touch, to trace, to examine, with hot feverish hands, or cold callous hands, or frightened shriveled hands, carefully, or roughly, the outline and boundaries of existing, being, and drawing.