Yoshida Miho

Born in Shizuoka in 1986
Graduated from Kyoto Seika University, Faculty of Art, Department of Art, Western Painting in 2009

solo exhibition
2011 “Root Sound” Conaru Gallery/Shizuoka
2014 “Waves at the Bottom of the Flat Ground” Gallery Blanca/Aichi
2016 O Gallery EYES/Osaka
2019 “Memories Between” Gallery 301/Kobe
2019 “Greenery Journey” iTohen Gallery/Osaka
2020 “Breathing Window” Hamamatsu Kamoe Art Center, Shizuoka
2020 “Color and Breath” KiKi Senjuhigashi's Home in Tokyo
2022 “Particles of Light Grow and Become Forests” Iiba Gallery/Kobe
2023 “Pneuma Breathing Things” Cafe and Gallery gecko
2024 　 Solo exhibition ‘Drifting Through the Forest’ (Alt_Medium,Tokyo)

Group Exhibitions
2008 “Still Moving - Touching That Place” Shunjukan Gallery/Kyoto
2012 HANARART Yamato Yagi venue Enomotoji/Nara
2020 “SELECTION IV” GALLERY ART POINT/GINZA
2020 ROOM+ GALLERY & CAFE AQUA/WAKAYAMA
2021 “Emotion 2021” Gallery ART POINT/Ginza
2021 ROOM+ GALLERY & CAFE AQUA/WAKAYAMA
2022 “Cycle - Cyclic Beauty 2022” GALLERY AND LINKS 81/GINZA
2022 “Hamamatsu Kamoe Art Center Artist in Residence Exhibition 2014-2021 HERE AND NOW” Hamamatsu Kamoe Art Center/Shizuoka

residence
2016 Arteles/ Haukijärvi, Finland
2020 Hamamatsu Kamoe Arts Center /Shizuoka


I'm interested in the landscape and the way we are
Familiar scenery is sometimes the foundation of everyday life, like a continuous part of the mind and body
However, when relationships with the surrounding land fluctuate due to disasters or movement to new places,
The reality of oneself is also easily shaken
What surrounds us living things also fluctuates over time as life
While cutting out that image and projecting it on the flat surface of the canvas
I'm looking for a third field of vision in a place where the other's consciousness intersects


I have an interest in the relationship between feelings and scenery.
A familiar view is a segment that offers continuity to our bodies and souls, and provides the foundation for our daily lives.
However, when our connections to our spectacular scenery is shaken by disaster, or a move to a new location, the hold on our own reality is rendered.
THE THINGS THAT ENCIRCLE WE LIVING THINGS ARE, IN TURN, LIFE EXPECTED.
I reflect the places I think walk through every day as oil spreads across the flat surfaces of canvases, searching among the points of contact between our mutual Consciousness and the Way We Ought to Be, for a Third Field of Vision.
As long as there is a horizon and depth in a field of vision, our imaginative will discover a new profoundness therein.