Yoshida Miho

Born in Shizuoka, graduated from Kyoto Seika University Faculty of Art

Using natural objects as motifs, I create landscapes that surround life and have life of their own. Main activities include 2016 Artist in Residence Arteles/ Haukijärvi, Finland, solo exhibition O Gallery EYES/ Osaka, 2020 solo exhibition “Breathing Window” Hamamatsu Kamoe Art Center/Shizuoka, solo exhibition “Color and Breath” KiKi Senju Higashi's home in Tokyo, and 2024 solo exhibition “Paddling into the Forest” Alt_Medium/Tokyo.

Born in Shizuoka in 1986

Graduated from Kyoto Seika University, Faculty of Art, Department of Art, Western Painting in 2009

solo exhibition

2011 “Sound of Roots” Conaru Gallery/Shizuoka

2014 “Waves at the Bottom of the Flat Ground” Gallery Blanca/Aichi

2016 O Gallery EYES/Osaka

2019 “Memories Between” Gallery 301/Kobe

2019 “Greenery Journey” iTohen Gallery/Osaka

2020 “Breathing Window” Hamamatsu Kamoe Art Center, Shizuoka

2020 “Color and Breath” KiKi Senjuhigashi's Home in Tokyo

2022 “Particles of Light Grow and Become Forests” Iiba Gallery/Kobe

2023 “Pneuma Breathing Things” Cafe and Gallery gecko

2024 “Paddling in the Forest” Alt_Medium/Tokyo

Group Exhibitions

2008 “Still Moving - Touching That Place” Shunjukan Gallery/Kyoto

2012 HANARART Yamato Yagi venue Enomotoji/Nara

2020 “SELECTION IV” GALLERY ART POINT/GINZA

2020 ROOM+ GALLERY & CAFE AQUA/WAKAYAMA

2021 “Emotion 2021” Gallery ART POINT/Ginza

2021 ROOM+ GALLERY & CAFE AQUA/WAKAYAMA

2022 “Cycle - Cyclic Beauty 2022” GALLERY AND LINKS 81/GINZA

2022 “Hamamatsu Kamoe Art Center Artist in Residence Exhibition 2014-2021 HERE AND NOW” Hamamatsu Kamoe Art Center/Shizuoka

residence

2016 Arteles/ Haukijärvi, Finland

2020 Hamamatsu Kamoe Arts Center /Shizuoka

2026 RUD AIR/Laxarby, Sweden

I have an interest in the relationship between feelings and scenery.

A familiar view is a segment that offers continuity to our bodies and souls, and provides the foundation for our daily lives.

However, when our connections to our spectacular scenery is shaken by disaster, or a move to a new location, the hold on our own reality is rendered.

THE THINGS THAT ENCIRCLE WE LIVING THINGS ARE, IN TURN, LIFE EXPECTED.

I reflect the places I think walk through every day as oil spreads across the flat surfaces of canvases, searching among the points of contact between our mutual Consciousness and the Way We Ought to Be, for a Third Field of Vision.

As long as there is a horizon and depth in a field of vision, our imaginative will discover a new profoundness therein.