私は、10代の頃から「私」は、存在しているのか?という根源的な問いをずっと持ち続けてきました。何の為、「生」を受け、この世に存在しているのかという哲学的な問いについてです。私は、私の原風景の象徴である「襖」を用いながらずっと何故、「私」は、存在しているのか?と夜、眠れなくなり、京都の学生時代、西田幾多郎と同様に銀閣寺から南禅寺に通じる「哲学の道」を朦朧としながら徘徊していたのでした。観光客には、雅の道ですが学究者や芸術家にとっては、地獄の道がその正体です。
私は、ずっと襖を使った世にも奇妙な襖作品の時空間の中で自身の存在論について苦しんでおりましたが悟りの境地に近付いたのか「私」は、実は、何を隠そうその正体は、「襖」だったと事に気が付きました。敷居と鴨井という限定された時空間の中を他者との境界線がわからず人間関係に惑いながら交互に行ったり来たりする前衛芸術家として既存の価値観に果敢に挑むも既存の勢力に排除され、襖を外されたり、破かれたりという人生を生きて来ました。
私は、カブいたタイプの襖の芸術家ですがもしかしたら多くの表具屋も自分とは、何者なのか?何の為に生きているのか?堂々巡りの自問自答を繰り返しながら生き、そして、
死んで行っているかもしれないと想像を張り巡らしました。私同様、名もなくとも襖と共に生きる表具屋たちは、気が付かない内に「私」=「襖」という人生を生きているかもしれません。日本から「襖」が消滅する事。それは、「私」が存在しなくなる事を意味するのと同じ事かもしれないと思うようになりました。
それ故、この背水の陣において私は、「私」=「襖」を護る為、強く戦う意味を有しています。そして、尚且つ凋落激しいと言われる襖業界を私たちの世代で後の世代に繋げる為に護る行動に動く必然性を有しています。「私」は、「襖」です。笑えませんか?もしかしたら「私」は、もはや人間ではないのです。「襖」の精霊、妖怪かもしれません。
学生時代よりずっと襖の作品を製作していますがたまに製作する大きな襖の立体彫刻の作品の中で私は、一体何者なのか悩み続けていました。まさか、「私」が「襖」だったとは、知る由もありませんでした。私自身が「襖」と自覚するには、あまりにも長い時間を要しました。もとい、襖製作に従事する方々も私と同じく「私」=「襖」という存在証明を有する人々かも
しれません。
SHUICHI INOHANA
Film director,Contemprary Artist,Butoh dancer
I started filmmaking when I was 15 although Iwas a triathlon athlete.When I turned 16,I visited a variety of movie theaters,art galleries,and screenings at universities and of independent movie in Tokyo.I attended a screening at Waseda University's school Festival when I was a high school student,and this was the start of my joing the study group at Waseda University.Then I was inspired to produce student films and experimental films.
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Profile
Biography
I started filmmaking when I was 15 although Iwas a triathlon athlete.When I turned 16,I visited a variety of movie theaters,art galleries,and screenings at universities and of independent movie in Tokyo.I attended a screening at Waseda University's school Festival when I was a high school student,and this was the start of my joing the study group at Waseda University.Then I was inspired to produce student films and experimental films.
Entering the general university,I started feeling limitation in filmmaking at the university's study group.Wanting to officially learn production of experimental movies,I restarted my college life at an art niversity in Kyoto.I started studying under Toshio Matsumoto,an ATG filmdirector,critic,and media artist who poineered experimental film production in the earliest days.
Largely influenced by the cultural climate of Kyoto to where I had moved, I also started producing contemporary-art works as well as specific filmmaking when I was 20.With the theme of contemporary Japanese ontology and time theory, the Tokyo mounting Keishi has been making large-scale works with the main sliding screens, with the cooperation of the Interior Culture Association.Since then I began various activities through participating in art competitions,exhibitions and screening.Also in those daysI started going to nightclubs.
At the age of 30,I was invited by the world-famos dance Tatsumi Hijikata Memorial Asbestos Studio as an instructor of images and contemporary art.Besides the instructor job,I was also in charge of the stage-performance video recording and archiving project at the Asbestos Studio.
One day,while I was shooting Mrs Akiko Motofuji,dancer and a wife of Tatsumi Hijikata doing practice,I couldn't repress my desire to dance,so I began taking dance lessons.I was learning dancing under Mrs Akiko Motofuji,but as she passed away the Asbestos studio was closed.I belong toTatsumi Hijikata Asbestos center &Kazuo Ohno Dance studio,taking Mr Yoshito Ohno as my teacher,and am doing art activities in many art fields such as filmmaking,contemporary art and dancing,domestically and internationally.I make a documentary films Butoh Akiko Motofuji.I screend at the Tokyo Documentary Film Festival etc.I'm planning to do a world tour for promoting butoh.
In recent years,I have developed educational materials to foster artists in many fields and am taking an active role in educating younger artists.I once lived in Chugin Cupsule Tower designed by an architect Kisho Kurokawa.What makes me unique is that my ancestor (猪鼻民部)was a samurai who built Renkeiji temple of Kawagoe city(formerly called ''Masashi-no-kuni'')and developed cathedral town and castle town in 1549.
Kawagoe Maruhiro department store roof as Kawagoe Hachimangu shrine is enshrined.Appeared as a Sumo wrestling like Foxin the anime "Manga Japan once upon a time".Now held every year in June in Kawagoe city popular Sumo Inari Shurine Sumo tounament to have.For that reason,my ancestor is enshrined at the rooftop of Kawagoe Hachiman Shrine and the Kawagoe Maruhiro department store as a protective deity of Kawagoe city.My ancestor also appears in''Manga Nippon Mukashibanashi''(Japanese folk stories in animation).
Searching for materials related to my ancestor,I found that not only documents about the public administration that my ancestor had governed,taxation,flood control and templ-school management,but also even library of the successive ancestors had been stored.I never expected that I could find books my ancestors had read,so I was quite impressed.Further,I tracked back my family tree and have obtained a lot of antique documents written by Hamana Inohana.
Minamoto no Yorimasa,I Hayata given Nue's Omi province as a reward of Nue squashing late Heian period,Emperor Konoe annoyed every night.Shutendouji and Ground Spider extermination ,and further upstream and to the ancestors of the Minamoto no Yorimasa.Clan ghost world in very rare,and a close relation ship with a conscious cultural anthropology and folklore,decide in the arts.
Also,due to business reason was more plagiarism ghostly probably fought against ancestor ghost who interpretend.Have the causes of the mysterious family now have real involvement wiht evil spirits.







