
關於作品
- 製作年份
- 2017
- 材料或技法
- 其他的
- 版本
- 沒有設定
- 簽名
- 沒有設定
- 畫框
- 沒有設定
- 作品證書
- 沒有設定
- 類別
- 專案
作品詳情
可從鷹狩山山頂一覽北阿爾卑斯雄偉山群以及信濃大町風景的作品。縱橫無盡的導線帶來的實際體驗,將鑑賞者從既有景色中切開,放在物理性的座標空間上。走進可在屋梁或天花板之間跨越、潛行的不安定白色空間,將可成為形成信濃大町風景質量的一部份,與其存在對峙。
展覽資訊
- 過去的展覽
- 北阿爾卑斯國際藝術祭20242024.09.13 - 11.04
藝術家
Artist
A Japanese art team centered around artist Haruka Kojin, director Kenji Minamigawa, and installer Hirofumi Masui. They create works that allow us to re-experience the “Just a world” that constantly unfolds before our eyes. A Japanese art team centered around artist Haruka Kojin, director Kenji Minamigawa, and installer Hirofumi Masui. They create works that allow us to re-experience the “Just a world” that constantly unfolds before our eyes. The art team participated in exhibitions including the Echigo-Tsumari Art Triennale 2018, Niigata (2018), Roppongi Crossing 2019 at Mori Art Museum, Tokyo (2019), and Hawai’i Triennial 2022, Hawaii, USA (2022), among others. Their work masayume has been shown in exhibitions such as Engawa - A Season of Contemporary Art from Japan, Lisbon, Portugal (2023), Veranos de la Villa 2024, Madrid (2024), among others. Directors of Saitama Triennale 2023. As an individual artist, Haruka Kojin has presented works in exhibitions including When Life Becomes Form at São Paulo Museum of Modern Art, São Paulo, Brazil (2008), Bye Bye Kitty!!!: Between Heaven and Hell in Contemporary Japanese Art at Japan Society, New York, USA (2011), Japanorama - New vision on art since 1970 at Centre Pompidou-Metz, Metz, France (2017-2018).
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