Garden and monolith
製作年份: 2024
材料或技法: 紙, 墨水
尺寸: 76.5 × 54 cm
版本: 獨特
簽名:包括






關於作品
- 製作年份
- 2024
- 材料或技法
- 紙, 墨水
- 尺寸
- 76.5 × 54 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 可協商的
- 作品證書
- 包括
- 類別
- 繪畫
- 風格
- 抽象的, 日本畫/和
作品詳情
As Deleuze once said, «to create a territory is the birth of art.», one might define art as the creation of spaces within spaces. We navigate through various territories on different scales (universe→earth→region→tradition→family→home→body→mind) and creating our own territory requires a representation of our surroundings, driven by personal sensitivity or objective facts.
Jean Lemonnier's practice involves a balance between accident and control, representing invisible elements in motion—such as wind, clouds, water, and particles—through abstract, dynamic shapes that invite their own narratives. His work is deeply influenced by art currents, symbols, architecture, and spaces that merge aesthetic ideals with spiritual or social functions, including concepts of the sublime, minimalism, brutalism, dry gardens (枯山水). Thus, he constructs his territory either by selecting exhibition spaces that resonate with his inspirations or by creating an environment within white cubes using various objects and mediums, alongside his main productions.
For this exhibition, Jean aims to create simulations of matters and motion through the practice of drawing, and builds a territory using almost exclusively materials found in this building.
■detail
■Exhibition view
■Exhibition Information
Exhibition title
Fabulation/ (ma) tter | Jean Lemonnier
Opening hours
12:00 - 18:00 (last admission 17:30)
Closed days
Open every day during the exhibition
venue
Uenoshita Studio
ABAB Ueno 6th floor, 4-8-4 Ueno, Taito-ku, Tokyo
Admission fee
gratis
planning
Tokyo University of the Arts Graduate School of Fine Arts Global Art Practice (GAP) +ArtSticker
Exhibition URL
展覽資訊
- 過去的展覽
- fabulation / (ma)tter | Jean Lemonnier2024.03.21 - 03.31
藝術家
Drawing artist, video maker, sculpter
Jean Lemonnier's practice involves a balance between accident and control, representing invisible elements in motion—such as wind, clouds, water, and particles—through abstract, dynamic shapes that invite their own narratives. His work is deeply influenced by art currents, symbols, architecture, and spaces that merge aesthetic ideals with spiritual or social functions, including concepts of the sublime, minimalism, brutalism, dry gardens (枯山水). Thus, he constructs his territory either by selecting exhibition spaces that resonate with his inspirations or by creating an environment within white cubes using various objects and mediums, alongside his main productions.
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ご支援ありがとうございます。今後の作品制作費用として大切に使わせていただきます。