炎上

製作年份: 2016

材料或技法: 油畫, 棉花, 控制板

尺寸: 91.3 × 109.7 cm

版本: 獨特

簽名:沒有設定

炎上

關於作品

製作年份
2016
材料或技法
油畫, 棉花, 控制板
尺寸
91.3 × 109.7 cm
版本
獨特
簽名
沒有設定
製作人員名單
(c) Kaori Furuhashi
畫框
沒有設定
作品證書
沒有設定
類別
繪畫

作品詳情

「対岸が燃えている」ような印象から色やその置き方を選んでいった作品。

Installation View

〈 BankART Life V : Under 35 2017 〉2017

Venue: BankART Studio NYK, Kanagawa

Photo by Ken Kato

〈 泥濘の島 Kaori Furuhashi Exhibition "Islands in the Mud" 〉2019

Venue: Viento Arts Gallery, Gunma

藝術家

Kaori Furuhashi
✔︎

Painter. Born in Tokyo in 1982. MFA in oil painting study from the University of Tsukuba in 2007. Starting from familiar views such as hills, water surfaces, light, and fences, Furuhashi makes paintings in which thin stains and tactile thick paint coexist. In recent years, she has also been researching painting materials related to transparency/ translucency. Recent group exhibitions include "The Way of Paintings 2022" (Sompo Museum of Art, Tokyo, 2022), "Nakanojo Biennale 2019" (Former Daisan Elementary School, Gunma, 2019), and "BankART Under 35 2017" (BankART Studio NYK, Kanagawa, 2017). Recent solo exhibitions include "Artist Series Vol. 101 Kaori Furuhashi - Between Flickers -" (Kiyosu City Haruhi Art Museum, Aichi, 2023), and "Islands in the Mud" (Viento Arts Gallery, Gunma, 2019). Won the Semi-Grand Prize in "The 10th Kiyosu City Haruhi Painting Triennale", the Excellent Work Award in "FACE 2019 Sompo Japan Nipponkoa Art Award Exhibition" and more. ... When painting, I repeatedly choose whether to connect things naturally or strangely. What words do the lines, planes, blurs, and sharp edges that interferes with clear perception of objects evoke? For me, it’s separation, parallel, coexistence, floating, holes, gravity, transparency, etc. My work is like a tentative collection of the subtle nuances from those words. Photo by Emi Nakata

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最後更新日期
2023.11.06