Fragment-human
製作年份: 2026
材料或技法: 印刷
尺寸: 45 × 30 cm
版本: 有版
簽名:包括






關於作品
- 製作年份
- 2026
- 材料或技法
- 印刷
- 尺寸
- 45 × 30 cm
- 版本
- 有版
- 簽名
- 包括
- 銷售
Prices are listed without frames.
Limited Edition: 30
- 畫框
- 不包含
- 作品證書
- 包括
- 藝術品經銷商
- 進士三紗
- 發貨區域
- 京都
- 發送前的天數
- 大概一周
- 類別
- 印刷
作品詳情
I was interested in reliefs that are a mixture of indigenous nature images and Christian iconography unique to Romanesque, so I actually spent 4 days doing research visiting monasteries and churches between Paris and Lyon.
The relief is integrated with the structure of the building, draws attention from the outside to the interior, and from the inside to the story, and I think it has the function of connecting the person standing in front of the relief to the invisible world.
As I proceeded with my research, I also learned that there are few Romanesque sculptures that still exist in a beautiful state. (It's a sculpture from around the 10th to 12th century, so it's quite natural, but...)
About half of what I saw was partially or mostly broken, and I don't understand the complete picture.
However, I think it is through this lack of understanding that I can link myself living here and now with past events that occurred in this place, and an imaginary world where monotheistic and polytheistic images that may have been depicted are mixed.
After the research was completed, I immediately created this work at the Parisian lithograph studio [Le Garage Litho].
The motif is a Romanesque sculpture where the sculpture collapsed and I didn't know what was being carved, and I drew something like a fragment of a human being seen by following a line.
I created a 3-color lithograph at [Le Garage Litho], an atelier specializing in lithography in Paris.
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USD 167
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藝術家
画家、写真家
1998年 京都府出身2021年 京都市立芸術大学美術学部 油画専攻 卒業自分自身が、異なる環境や価値観との関係によって形成されてきたという経験を起点に、私は、自然と人工、自己と他者、過去と現在といった異なるものの間隙に生じる矛盾やわからなさ、不協和の共存がいかに可能か?という問いについて、自分が育った身の回りの風景を解体し、繰り返し、ズレながら平面そして空間へと再構成する手法を探求しています。主なグループ展2022 6月 "metasequoia kyomachibori art fair2022" , chignitta space (Osaka) 10月 "層をなす/be in layers" , kumagusuku (Kyoto) 11月 "IN THE FLOW", 松栄堂 薫習館 (Kyoto)2023 4月 "うつろうかたち",まるとしかく(Shiga) 5月 "汽水域",バイソンギャラリー(Hyogo)2024 2月 "SILENT RESONANCE", Galerie Lulla (Los Angeles)主な個展2022 5月 "Shape of time", atelier ST,CAT (Tokyo)2023 7月 "立ち現れる輪郭" chignitta space (Osaka)2025 8月 "沈黙する地面、記憶する地層", A HAMLET(Kyoto)2025 11月 "反転する背景のための風景",Gallery metabo(Kyoto)
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