Soft Systems
製作年份: 2026
材料或技法: 丙烯酸纖維, 帆布
尺寸: 45 × 35 cm
版本: 獨特
簽名:沒有設定





關於作品
- 製作年份
- 2026
- 材料或技法
- 丙烯酸纖維, 帆布
- 尺寸
- 45 × 35 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 不包含
- 作品證書
- 沒有設定
- 藝術品經銷商
- Lux Feminae
- 發貨區域
- 沒有設定
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
作品詳情
Ritual Drift explores how inherited cultural forms evolve through technical precision, fracture, and experimental processes. Simultaneously inhabiting and departing from expectation or ritual within their respective mediums, Boagey and Ujiie reveal humanity's impulse towards transformation, pushing inherited forms to radically evolve.
Together, the works occupy a space in which familiar images and forms are subjected to processes of continual transformation. Blurring the boundary between artifact and apparition, each work stages its own visual mythology that draws upon and challenges its origins.
'These works treat the image as something already consumed - cultural material seen past the point of origin. Through painting, I put subjects like Roman gods, gaming iconography, and the human face through processes of repetition and distortion until they behave as signal rather than subject, stuttering across the canvas in near-identical passes.
Every work is made methodically by hand - the machine collaborator rather than adversary, its flattening rhythms embraced even as the hand quietly resists, each mark painted, each repetition subtly imperfect. This is hauntology as stalled time - culture eating its own tail, a lost future circulating, unborn.'
展覽資訊
- 過去的展覽
- Tokyo Gendai2026.09.11 - 09.13
觀賞擺飾在房間裡的樣子
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藝術家
Artist
(b. 1985, Liverpool, UK) is a contemporary artist who predominantly works in painting and drawing. Combining various paint mediums with meticulous airbrush techniques, Boagey’s practice revolves around enticing, succulent, fleshy, sometimes erotic and occasionally perverse subject matter. Often using nature, particularly mushrooms, as both motif and metaphor, his works examine human behaviour and our shifting social, psychological and spiritual relationships with one another and the world around us.Executed with great precision, his paintings draw upon theology, mythology, poetry, folklore and the occult, layering historical and symbolic references with imagery taken from contemporary visual culture. By placing ancient narratives alongside the aesthetics of the digital age, Boagey explores the increasingly blurred boundaries between the natural and the artificial, the physical and the virtual, the sacred and the profane. His compositions are deliberately dense and associative, inviting viewers to navigate a network of symbols rather than a fixed narrative.At the core of his practice is an interest in how technological systems increasingly shape perception, identity and belief. Rather than treating technology as separate from nature, Boagey considers it an extension of humanity’s evolutionary impulse, questioning how digital environments, algorithms and mediated experiences continue to redefine our cognitive relationship with the earth, with each other and with ourselves.Boagey currently lives and works in London, United Kingdom. He received his BA from Central Saint Martins, University of the Arts London, in 2008.
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