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​I create paintings by repeatedly applying layers of oil paint, using solely a painting knife, to form triangles, which are considered to have the highest structural strength and is the minimum unit among polygons, belonging to the micro. This is an attempt to visualise the world which is formed due to a chain of reactions, continually embodying the potential for change, as reciprocal interactions are caused by the integrity—born as the micro extends and accesses the macro, the back and forth of perspective, and individual elements. Abstracting elements of the screen and reducing them to their micro, deconstructs the human perspective that is dependent on material substances, and proposes a reflection towards the universe. Just as a painting placed in a space cannot remain irrelevant from architecture and light, all reciprocal interactions exist as the common structure of the universe, even without our awareness.