關於作品
- 製作年份
- 2021
- 材料或技法
- 噴墨打印
- 尺寸
- 29.7 × 21 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 不包含
- 作品證書
- 沒有設定
- 類別
- 照片
- 風格
- 社會/政治/歷史
作品詳情
荻須高徳という画家は大正、昭和期に活動した画家である。戦後初めて日本からフランスへの渡航を許された画家であり、パリでその街並みを描いたことで知られている。
本作の作者は荻須の遠縁にあたり、同様に絵を描く修行を行い、同じ大学の同じ専攻に進学するなど、その影響を受けている。壁というモチーフは荻須が好んで描いたものであるとともに、時代や土地を超えて共有できる対象である。
今作では自身の同一性を他者の歴史に寄り掛からせながら、絵画的コンポジションを持ちえた壁を、今手に持っている機械の目を通して映し取られている。
Takanori Oguiss was a Japanese painter whose career flourished during the Taisho and Showa periods. He was the first Japanese artist to be allowed to travel to France after World War II, and was known for depicting the cityscapes of Paris.
The creator of the work is a distant relative of Oguiss, who, owing to the painter, has had a painting training and studied the same major at the same university as Oguiss.
Walls are a motif Oguiss preferred to paint, but also are in themselves objects that can be identified with across different times and places.
In this work, in an act of grounding his own self-continuity on the history of another person, the artist captures walls charged with painterly compositions through the eyes of the machine in his hands.
藝術家
Artist
KUBOTAOGUISS Tomohiro focuses on the aspect of cultural assets as "debt," developing works that often do not involve physical creation through acts such as the temporary relocation of objects, contractual agreements, and assuming the debts of others. His practice critically examines how art intersects with institutional and economic systems through processes of ownership, management, relocation, and preservation. Recent works explore the relationships between ownership and accountability within communities, tracing how debt expands from individuals to organizations and ultimately to institutional frameworks, drawing from personal experiences and actual events. KUBOTAOGUISS Tomohiro completed the Master's Program in Printmaking at Tokyo University of the Arts in 2020 and is currently a doctoral candidate at the same institution. Based in Tokyo and Kanagawa, his practice focuses on contemporary art methodologies and institutional critique. Recent exhibitions include the solo exhibition 《eat ro ekyu》 (2022, EUKARYOTE), which sought to enhance the functionality of commercial galleries through the strategic relocation and reorganization of objects. In addition to his individual practice, KUBOTAOGUISS actively engages in collaborative projects with researchers and curators. As a co-founder of the curatorial unit "COM_COURSE" with art historian Shin Yoshimura, he co-curated the exhibition 《in search of lost figures》 at Tokyo Arts and Space Hongo in 2024, developed through research on the Taisho and Showa-era painter Takanori Oguiss.
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