猿の居ない猿島 / Monkey Island without monkeys

製作年份: 2022

材料或技法: 木頭, 電線, 其他的

尺寸: 450 × 800 × 400 cm

版本: 獨特

簽名:沒有設定

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猿の居ない猿島 / Monkey Island without monkeys
猿の居ない猿島 / Monkey Island without monkeys
猿の居ない猿島 / Monkey Island without monkeys

關於作品

製作年份
2022
材料或技法
木頭, 電線, 其他的
尺寸
450 × 800 × 400 cm
版本
獨特
簽名
沒有設定
畫框
不包含
作品證書
沒有設定
類別
安裝
風格
社會/政治/歷史

作品詳情

作品は現在、横須賀市猿島で開催されている「Sense Island -感覚の島- 暗闇の美術島」にて展示しています。スマートフォンを封印し、アートを通して夜の無人島 猿島を体感する唯一無二の芸術祭です。

猿の居ない猿島 / Monkey Island without monkeys 軽量レンガ, 木材, ワイヤー, 単管 2022

この「1」と「0」の羅列を、Shift_JISという文字コードを用いてコンピューターに読み込むと、「猿の居ない猿島」という文章になる。

そう、猿島に猿は生息していない。

Shift_JISは過去の遺物になりつつある古い文字コードである。

現在主流になっているUnicodeの環境下に持ち出すと、文字化けなどを起こしてしまう。

猿島はかつては東京湾を守る、要塞の島であった。

現在は国指定史跡となっていて、島内からは小石ひとつ、葉一枚であっても持ち出してはいけない。

これらの数字はれんがを並べて造られている。

猿島の要塞跡はフランス積という技法で建造されている、国内ではとても希少なれんが建築物である。

昼間の風景

展覽資訊

藝術家

Yumikio SAMESHIMA
✔︎

Yumikio SAMESHIMA

Visual artist

I have been mainly creating and presenting three-dimensional works and installations. I make artworks that cannot be created in any other location because they are strongly connected to the site, both physically and conceptually, utilizing the features of the space where the works are presented, the story of the place, and the surrounding environment. In most cases, I use different materials, production methods, and styles of expression to suit the space each time. In addition to creatingmy own works, I am also actively involved in exploring personal and international connections between artists, such as organizing exchange gatherings for artists of all genres, and launching and managing art exchange projects between Japan and Mexico. After graduating from the Department of Sculpture at Tokyo Zokei University in 2010, I spent 4-5 years in teaching and traveling abroad, and began my career as an artist after returning to Japan. Since then, I have been creating and presenting sculptures and installation works. Through long-term overseas trave, I became aware of Japanese culture and regional characteristics that cannot be separated from my own identity. Some of my works are related to Japanese culture and regional characteristics, such as seismic waveforms, an idea in Shintoism and a traditional painting technique that was often used in old Japanese paintings called “Yamato-e”. I also create installation art which is deeply related and not able to be separated from the exhibition space both physically and conceptually by using the features the elements of the site. In addition, I have been working on exploring personal and international connections among artists. For example, organizing an international creative meet-up “Creatives’ ___.”, and being a core member of “JaM -Artist in Homestay-“, an art exchange project between Japan and Mexico. Recently, besides creating my own artworks, I am also involved in activities to solve local issues by utilizing my experience, skills and ideas as an artist. For instance, to suggest ideas for a new product for a local stone association in a stone farming area, to propose and design solutions for the usage of vacant houses in a rural area, and to launch a program for regional development in a disaster-stricken area where the population has been seriously declining since the Great East Japan Earthquake in 2011.

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最後更新日期
2022.01.22