Rear Window260322
製作年份: 2026
材料或技法: 丙烯酸纖維, 帆布
尺寸: 33.3 × 22 × 2.5 cm
版本: 獨特
簽名:包括







關於作品
- 製作年份
- 2026
- 材料或技法
- 丙烯酸纖維, 帆布
- 尺寸
- 33.3 × 22 × 2.5 cm
- 版本
- 獨特
- 簽名
- 包括
- 製作人員名單
- @2026 Miaki Gallery
- 畫框
- 不包含
- 作品證書
- 包括
- 藝術品經銷商
- Miaki Gallery
- 發貨區域
- 東京
- 發送前的天數
- 展覧会終了後、2週間程度
- 類別
- 繪畫
- 風格
- 抽象的, 概念上的
作品詳情
Powerful brushstrokes envelop the canvas, accompanied by dynamic "cracks" running through the multiple, overlapping layers of paint.
The Rear Window series by Mika Ieda takes paint—typically perceived merely as a "tool for depiction"—and elevates it to the role of the protagonist, drawing out its material energy to the absolute limit. Engaging in a deep dialogue with the textures and colors of acrylics, Ieda constructs her compositions by thickly layering the paint.
The core of this series lies in the "cracking" that occurs as the paint dries and shrinks on the canvas. Occurring beyond the artist’s intent or control, this physical phenomenon visualizes the accumulation of "time" and "chance" passing between the human and the material, manifesting as striking fissures.
The title Rear Window derives from Alfred Hitchcock’s masterpiece suspense film, a story where a confined protagonist peers through a window to observe the unpredictable actions of his neighbors. Ieda parallels herself with this protagonist, observing the unpredictable changes (or "incidents") brought about by the materiality of the paint within the confined frame of the canvas.
Thus, this work is far more than a mere still image. Through the "window" of the canvas, the viewer is invited to peer into the traces of a vital, dynamic phenomenon initiated by the paint itself. (Miaki Gallery)
展覽資訊
- 過去的展覽
- Miaki's Selection Exhibition “The Naked Eye”2026.04.04 - 04.25
觀賞擺飾在房間裡的樣子
購買方式
此作品已售完。
已售完
*顯示的為匯率換算的參考價格。結算將以日元進行。
購買作品時是否有需要幫助?在線諮詢
專業藝術顧問在這裡協助您購買作品。如果您對推薦的作品有任何疑問,或者您在購買時遇到任何問題,歡迎使用在線諮詢。



















