on the way home #005 ほか

製作年份: 2016

版本: 獨特

簽名:沒有設定

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3 我的最愛
on the way home #005 ほか

關於作品

製作年份
2016
版本
獨特
簽名
沒有設定
製作人員名單
協力:Akio Nagasawa Gallery
畫框
不包含
作品證書
沒有設定
類別
照片
風格
社會/政治/歷史

作品詳情

片山真理《on the way home #005》2016年

片山は、手縫いで再現した身体の部分や、ドローイングを施した義足などと共に撮影したセルフポートレートを展開してきました。写真のみならず、映像作品やインスタレーションなど幅広い媒体で、自らの特徴的な身体と向き合って制作を続けています。自分が作成したオブジェなどと撮影した室内でのセルフポートレートだけでなく、近年は屋外での撮影も精力的に行っています。

荻浜エリアでは、自然の風景とともに撮影した作品が、美しい海と山に溶け込むように展開されます。

展覽資訊

過去的展覽

藝術家

Mari Katayama
✔︎

Mari Katayama creates works, departing from hand-sewn objects and extending to photography, video, and installation, as a practice of ascertaining the society, social roles, and landscapes that are interwoven and resonating in multiple layers. Her hand-sewn objects appear repeatedly, changing in form and function, in each self-portrait series, thereby making the norms and gazes inherent in society visible. In the making of photographs, Katayama always releases the shutter herself: by engaging with the relationship of ‘taking/being taken,’ she examines the boundaries and dynamics between the self and the other. Using settings constructed with mirrors or her own room as the stage for photography, Katayama reflects not only on relationships and frictions, but also on the world and the structures that lead to them. Through these processes, she questions the nature of boundaries: the relation between ‘I’ and ‘you,’ what constitutes ‘correctness,’ and where the line between ‘natural’ and ‘artificial’ lies.Since 2011, Katayama has led the High Heel Project, which proclaims ‘freedom of choice.’ In this project, she aims to ensure that everyone can make choices based on their own will, regardless of their physical condition or ability, and to expand the range of options that underpin this freedom. In addition to her artistic practice, she works as a singer, model and public speaker, broadening the points of contact where artistic expression intersects with society.

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最後更新日期
2021.08.10