The in-between of time… this instant is already becoming the next, and that becoming is what we name Now...001

製作年份: 2025

材料或技法: 日本紙, 墨水

尺寸: 90 × 90 cm

版本: 獨特

簽名:包括

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The in-between of time… this instant is already becoming the next, and that becoming is what we name Now...001

關於作品

製作年份
2025
材料或技法
日本紙, 墨水
尺寸
90 × 90 cm
版本
獨特
簽名
包括
畫框
可協商的
作品證書
包括
藝術品經銷商
上村白冰
發貨區域
大阪府
發送前的天數
沒有設定
類別
書法
風格
抽象的, 概念上的, 哲學/虛榮

作品詳情

The in-between of time

This instant is already becoming the next, and that becoming is what we name Now.

________________________


This is a world painted solely in ink.

A composition attuned to its very mode of being
awakens faint images from the depths of black.

It is what lies beyond “being” and “non-being”—
the in-between of “being” and “being.”
________________________

n the Interstice Between Consciousness and Chaos.
and
Where the Seen and the Unseen Embrace.

Almost within reach, yet never quite touched—
In the in-between where contours brush against each other,
something wordless quietly breathes.

In that moment when light turns into shadow,
In that space where time overlaps and unravels,
Between you and me,
and within the spaces inside myself—

In the interstice between certainty and uncertainty,
there dwells a feeling beyond naming.

“Ahahi” is neither a beginning nor an end;
it merely, gently sways.

It appears only when you gaze upon it,
and yet
it can only truly emerge when you overlook it.

That is something only you can see.

Installation view (The in-between of time… this instant is already becoming the next, and that becoming is what we name Now...000”)

The Being of the Now in the Horizon of Eternity

"Create using nothing but ink."

The Awai series is a pursuit of the infinite chromatic possibilities contained within ink.
Here, I work solely with ink blended in my own way.

No pigments, no agents to bleach out white.
I do not draw in white, nor do I scrape the surface to reveal it.
I only repeat, again and again, the act of black through ink.

First, I draw the motif in ink, then I saturate the entire paper with the color of ink. I wait quietly as it dries. In time, as the surface settles, only the motif begins to emerge with a different expression.
What arises there is an awai—an in-between that rises beyond my intention.

Writing, staining, drying.
These three gestures each occur only once; never again in the same form.
It is this threefold singularity that grants the work its unrepeatable presence.

Awai is the faint trembling that drifts between one boundary and another.
It is where “being” and “non-being” breathe at once, where certainty and uncertainty overlap.
The black of ink embraces that contradiction, rendering visible the awai, as though to remind us that all is the in-between of being and being.

For me, this practice is proof that the awai ceaselessly endures as a shimmering presence.
By entrusting myself to a generation beyond control, the subtle presence of the “interval”—so easily overlooked—appears for an instant before my eyes.
To witness that instant is, I believe, to behold the now within eternity.
The in-between of time… this instant is already becoming the next, and that becoming is what we name Now.

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這件作品可供購買。

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限定販售

USD 1,006

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藝術家

上村白冰
✔︎

上村白冰

〓書法家

1978 年出生於大阪

一個原創風景,帶有墨水的氣味--

我的祖母是書法老師,用筆刷。
我在此同時長大,自然被書法世界著迷,「文字變成線條,線條變成單詞」。
在那裡散發的情緒,居住在其中的靈魂。
書法不僅僅是一種書面表達,它可能是內心世界本身的表現...
這樣的感受是表達的起源。

在我高中時,我覺得通過「寫作」傳達一些東西的喜悅,從那時起,我一直繼續自己探索「自己的書」。

2020 年,世界在春天被沉默包圍。
再次問「什麼是書法」,然後決定返回起點。
我在一直對我感到滿意的書法家小正先生下學習
開始面對於傳統與創新之間的「現代書法」。

白色和黑色沙丁魚

儘管它很安靜,但它裡面隱藏著強度...
我相信書法是現代表現代表現的尖端,甚至現在仍在不斷發展和深化。

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最後更新日期
2025.09.05
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