Kumonodaira Plateau
製作年份: 2025
材料或技法: 紙, 照片, 混合媒體, 噴墨打印, 目的
尺寸: 18 × 9 × 2 cm
版本: 多種的
簽名:沒有設定






關於作品
- 製作年份
- 2025
- 材料或技法
- 紙, 照片, 混合媒體, 噴墨打印, 目的
- 尺寸
- 18 × 9 × 2 cm
- 版本
- 多種的
- 簽名
- 沒有設定
- 畫框
- 不包含
- 作品證書
- 沒有設定
- 藝術品經銷商
- Mew Imashuku
- 發貨區域
- 沒有設定
- 發送前的天數
- 沒有設定
- 類別
- 海報/商品/書籍
- 風格
- 靜物, 極簡主義, 概念上的, 抽象的, 日常生活, 其他的
作品詳情
“Kumonotaira Plateau” is an art book of poems and photographs born from a stay at “Kumonotaira Plateau” a place at the innermost part of the Northern Alps and also called the “last unexplored region.”
The pages are all composed of bellows, with poems on one side and photographs on the other. You can't watch both at the same time.
The side of the poem can be stretched gently without restrictions on the page, and on the other hand, if you devise a way to open it, the side of the photograph shows a solid appearance as if it were a single stone slab. The cover has been processed so that it fits perfectly when the surface of the photo is opened.
Details can also be found on the special page.
*If you place an order via ArtSticker, payment will be made on delivery according to regulations, and it will take about 1 week for shipping. You can order faster and with cheaper shipping at Imajuku Miyu's private stores below.
Background of the work
What is Kumonotaira
This lava plateau stretches around 2,600 meters above sea level in the Kurobe headwaters, at the innermost part of the Northern Alps. It was called the “last unexplored region” because no consolidated pioneering process was carried out until the end even in the Northern Alps. Ponds, pine trees, and volcanic rocks scattered all over the prairie weave a unique spatial beauty that should be called a “heavenly garden.”
About Mew Imashuku
Born in 2000. Active in the fields of poetry, performance, and media art. Create devices/situations that distort people's contours, and practice involving oneself and others in them. The main award was the 1st Nishiwaki Junzaburo Award Rookie of the Year Award, and the main publication is the poetry collection “Practice for Returning” (July Hall).
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藝術家
Poet, Artist
Born in 2000, based in Tokyo.
He works to redefine intimacy and violence in the field of poetry and contemporary art. Construct devices and situations that shake the boundaries between self and others using media that work on skin sensation in a broad sense (heat, compression, vibration, stuttering, etc.). Through practices involving oneself and others, it presents an intimate relationship between two people or a new way of coexistence in public spaces.
The main presentation history includes public experiments (Kitasenju BuoY, 2026) of the device “Pressure-Pleasure,” where multiple people enter compression bags and experience compression in response to each other's breathing, and the group exhibition “30th Anniversary Exhibition Everyday Choreo” (Museum of Contemporary Art Tokyo, 2025). The main awards were the 1st Nishiwaki Junzaburo Award Rookie of the Year Award and the 59th Bookbinding Competition Tokyo Governor's Award.



今後の作品制作費のため、大切に使わせていただきます。