YAKUDOW photo GOLD 23
製作年份: 2023
材料或技法: 照片, 引領
尺寸: 140 × 90 cm
版本: 有版
簽名:包括
關於作品
- 製作年份
- 2023
- 材料或技法
- 照片, 引領
- 尺寸
- 140 × 90 cm
- 版本
- 有版
- 簽名
- 包括
- 畫框
- 不包含
- 作品證書
- 沒有設定
- 類別
- 照片
- 風格
- 精力充沛, 抽象的, 肖像, 概念上的, 情緒化的, 數字的
作品詳情
Concept and Intention of the Artwork
I have often thought where is the best point to see breakdancing at its coolest. I still don't have the answer, but I feel that there is something romantic about the experience of watching a dancer from directly above. It was during my master degree years that I realised that the photographic technique of long exposure and breakdancing go hand in hand. The body, too blurred by speed, disappeared from the photograph and only the light source of five points of the hands and legs and head remained on the outer layer.
Artist Video
Production Methods and Tools
Photo / aluminum panel
Production Location
Mie / Aichi
Thoughts on the Artwork and Title
It is a coined word for dynamism and Shadow. The body disappears from the picture, only the movement is fixed in the picture. The time left here is the memory of the dance, the memory of the body.
觀賞擺飾在房間裡的樣子
藝術家
Artist / BBOY / DANCER
Masanari Tsuji, from Matsusaka City, Mie Prefecture, is an artist who creates works mainly in the Tokai region with the themes of body, space, and time, and is also an active BBOY (breakdancer). He creates and researches from the context of dance culture and art that he has been involved in since his teens, and creates various works by focusing on the transience of momentary dance and the traces that remain.
查看藝術家信息
踊りという我々人間が古くから文化として、時には儀式として成長させてきたものが、今現代にも根付いています。
私は今に生きるダンサーの踊り、そこにある意味や可能性を探っています。人はどこからきてどこに向かうのか。そして時という流れ続ける概念の中で我々は何を残していけるのか。このような事を考えながら、この先も踊り続けて皆様の前に立ちたいと考えています。支援いただいた資金はパフォーマンスの公演資金や作品製作費など、直接お金に変えることができない時間に使わせていただきたいです。そしてまた、写真の作品やその他の作品に変換して皆様に発表できることを願っています。