無題
製作年份: 2024
材料或技法: 帆布, 油畫
尺寸: 24.2 × 33.3 × 2 cm
版本: 獨特
簽名:沒有設定

關於作品
- 製作年份
- 2024
- 材料或技法
- 帆布, 油畫
- 尺寸
- 24.2 × 33.3 × 2 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 沒有設定
- 作品證書
- 沒有設定
- 藝術品經銷商
- 福田澪
- 發貨區域
- 沒有設定
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
作品詳情
oil on canvas
I create work about unpleasant and pleasant emotions.
The scale and intensity of feeling disgust or unpleasantness and its subject, varies from person to person. Usually we take negative actions such as of avoidance or removal when we experience disgust. This is often accompanied by pleasant emotions such as curiosity and anticipation. We may also reapproach the subject whilst feeling unpleasant. I choose to paint things that stir the image of negative actions, or stimulate such emotions.
Testimonial
At first glance, Fukuda’s paintings captivate with their striking visual impact, yet this initial clarity is deceptively fleeting. What appears to be a singular, identifiable form quickly unravels, revealing layers of complexity that elude immediate recognition. This shift invites the viewer on a dynamic visual journey, where elements fuse in an intricate interplay of sight and touch, encouraging personal connections and interpretations.
Sensually rich and conceptually engaging, Fukuda’s work evokes curiosity—a drive to question, to explore beyond the surface. These paintings challenge our perceptions, asking us to reconsider our relationship with materiality in a culture that often leans toward uniformity and homogeneity. Ultimately, Fukuda’s art is an invitation to probe beneath appearances, embracing the mysteries hidden within.
(Robert Platt)
展覽資訊
- 過去的展覽
- ARTISTS' FAIR KYOTO 20252025.02.28 - 03.02
觀賞擺飾在房間裡的樣子
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藝術家
アーティスト
2000 熊本県生まれ 2023 九州産業大学芸術学部芸術表現学科絵画専攻卒業 2023 九州産業大学大学院芸術研究科造形表現専攻博士前期課程入学 2024 九州産業大学大学院芸術研究科造形表現専攻博士前期課程 修了予定 身体、植物、自然現象などから受ける個人的な感情を元に制作している。制作過程においては、そういった過剰に意味を求めてしまう知覚・認知現象と絵画の実存との関係性を探っている。主観・客観、混沌・秩序、意識・無意識などを統合した作品を目指す。 It is created based on personal feelings received from the body, plants, natural phenomena, etc. In the production process, we are exploring the relationship between perceptual and cognitive phenomena that seek meaning excessively and the existence of paintings. It aims to be a work that integrates subjectivity and objectivity, chaos and order, consciousness and unconsciousness, etc.
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身体、植物、自然現象などから受ける個人的な感情を元に制作している。制作過程においては、そういった過剰に意味を求めてしまう知覚・認知現象と絵画の実存との関係性を探っている。主観・客観、混沌・秩序、意識・無意識などを統合した作品を目指す。
His work is based on the personal feelings he receives from the body, plants, and natural phenomena. In the process of creation, he explores the relationship between the existence of paintings and such perceptual and cognitive phenomena that excessively seek for meaning. He aims to create works that integrate subjectivity/objectivity, chaos/order, and consciousness/unconsciousness.