大人になれば全ての人を抱きしめることができる
製作年份: 2024
材料或技法: 帆布, 油畫, 丙烯酸纖維
尺寸: 97 × 130 cm
版本: 獨特
簽名:沒有設定

關於作品
- 製作年份
- 2024
- 材料或技法
- 帆布, 油畫, 丙烯酸纖維
- 尺寸
- 97 × 130 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 沒有設定
- 作品證書
- 沒有設定
- 藝術品經銷商
- Hazuki Tachibana
- 發貨區域
- 沒有設定
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
作品詳情
acrylic and oil on canvas
How well can we imagine another’s perspective? I try to see the act itself of imagining another’s perspective, through creating using the structure of self-portraits, with themes of relationships between real and imaginary spaces.
My recent interests are in physical sensations projected onto a physical expression of a flat surface. I explore what kinds of sensations a person living with a heavy body in reality will feel, inside of a light and stable image, and attempt to put this into practice in my pictorial expressions.
Testimonial
Tachibana’s works are based on self-portraits with the relationship between imaginary space and real space as the theme. She creates paintings using the three-dimensional images that arise from a plane, based on installations using paintings that have the mirror image of an exhibition space as motif, or the somatic sensations that exist inside two-dimensional expressions. Through this, she explores the common potentials, of a three-dimensional image replicated in an imaginary space, and the somatic sensation of standing in reality. Her exhibitions are ever so charming, giving a sense of the largeness of scale, and are anticipatory of the Hazuki Tachibana world to be established; she is a young artist whose future I am excited for.
(Kenji Tsuruta)
展覽資訊
- 過去的展覽
- ARTISTS' FAIR KYOTO 20252025.02.28 - 03.02
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藝術家
Artist
Born in Osaka, Japan. Currently pursuing a master’s degree in oil painting at the Graduate School of Arts, Kyoto City University of Arts.
Through paintings and exhibitions, the artist explores the potential for sharing visual experiences and the sensation of realizing we are looking at the same object.











他者の視点をどれほど想像することができているのか。私は自画像の構造を用いて「現実空間と虚空間の関係性」をテーマに制作することで、他者の視点を想像することそのものを見ようとしている。
近年の関心は、平面上での身体表現に投影する身体感覚にある。現実に生きる重たい身体を持つ者が、軽くて安定したイメージの中の身体に対してどのような感覚を持つのかを探り、絵画表現の実践を試みている。
How well can we imagine another’s perspective? I try to see the act itself of imagining another’s perspective, through creating using the structure of self-portraits, with themes of relationships between real and imaginary spaces.
My recent interests are in physical sensations projected onto a physical expression of a flat surface. I explore what kinds of sensations a person living with a heavy body in reality will feel, inside of a light and stable image, and attempt to put this into practice in my pictorial expressions.