Blueness090
名取蓝
艺术家
关于作品
- 制作年份
- 2026
- 材料或技法
- 丙烯酸纤维, 帆布
- 尺寸
- 162 × 130.3 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 没有设置
- 制作人员名单
- Courtesy of biscuit gallery
作品详情
“undercurrent”
The word “undercurrent” carries two overlapping meanings:
the quiet flow that moves beneath the surface,
and the invisible emotions, thoughts, faint echoes, and subtle signs that reside deep within the heart.
These inner movements—sometimes restrained, sometimes gently trembling—have always drawn me in.
Since beginning the “Blueness” series, a more subdued development of my earlier “Blue” works, I have encountered many people through my paintings, and new connections have formed.
Those exchanges have expanded the very force that sustains my creative practice.
What once began as semi-imaginary figures modeled after my younger sister has gradually transformed.
The faces I paint today continue to shift into more complex presences—reflecting the hearts of those who view my work as well as my own inner landscape.
It still feels like a small miracle that the tremor and fleeting strength embedded in the blue of my paintings reach people across different regions through social media, and that these feelings are sincerely received.
Those blue emotions eventually rose within me as the image of a traveler drifting through the silence of night, searching for a distant light in the darkness.
This vision led to a new body of work, Night and wonderer.
With each piece, I found myself moving closer and deeper into my own undercurrents—into moments that quietly transformed both the work and myself.
For this exhibition, “undercurrent,” I hope the thoughts I place into the color blue, and the feelings of those who encounter my paintings and sculptures, may flow toward one another like currents moving beneath the surface.
Through these works,
may the quiet stream that lies deep within your heart gently touch the undercurrents within mine.
I hope this space allows such subtle exchanges to unfold.
展览资讯
- 过去的展览
- Ai Natori「undercurrent」 / 2026.01.10 - 01.25
艺术家
名取蓝
艺术家
他从小就向行动艺术协会的艺术家野田功学习绘画。 为了寻找更结构化的表达方式,他进入了武藏野美术大学影像艺术系,并扩大了自己的表达领域。装置作品还将在东京摄影艺术博物馆展出。2011年,在重返起点并重启Draw的制作后,他获得了凯瑟琳·哈姆内特实验室设计大奖,并在台北青年艺术中心获得了年度最佳新人奖。他曾在卢浮宫卡鲁塞尔展出,主要活跃在海外。
最后更新日期2026.01.26






