Blowing cave / South
Year: 2025
Material/Technique: Foil, Japanese Paper, Brass, Linen, Pigment, Mixed Media, Panel, Resin, Rocky Paint
Size: 60.6 × 60.6 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 2,204
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Foil, Japanese Paper, Brass, Linen, Pigment, Mixed Media, Panel, Resin, Rocky Paint
- Size
- 60.6 × 60.6 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Nishizawa Naomi
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 4-7 Days
- Category
- Painting
- Style
- Abstract, Half Abstraction, Fantasy, Japanese Painting / Japanese Style
Work Details
Also known as the Cave of Exultation.
A place where an immortal bird with a long, iridescent tail reveals itself.
With each echo of jubilant sound, its feathers gradually turn the color of a blade.
— — — — — — —
There are large wind holes in the east, west, north, and south of the “Second Moon” that I draw.
It is a place in the “south” of it that is a place for residents to relax.
There seems to be some kind of big bird showing up, and many people visit here to meet this beautiful bird.
material
Copper Leaf (Mounted on Paper), Hemp Paper, Iwa-enogu (mineral pigments), Silver Leaf ,Brass Leaf , Copper Leaf , Aluminum Leaf
View in a Room
How to Buy
This artwork is available for purchase.
USD 2,204
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Contemporary Japanese-Style Painting
Naomi Nishizawa creates “The Tale of the Second Moon,” a narrative born from her unique imagination.
She is a contemporary artist celebrated for her radiant and intricate compositions employing gold and metallic leaf. Rooted in the traditions of Japanese painting, she fuses diverse materials such as handmade washi paper, oil-based resin, and phosphorescent pigments to create a singular visual world.
Within her semi-abstract works, quiet imagined scenes are gently interwoven. These softly spun visions evoke moments from fairy tales and mythology, inviting viewers into a poetic narrative realm. Shimmering, reflective, and glowing materials function not only as decorative elements but also as gateways to dreamlike, multilayered worlds.
Since 2019, Nishizawa has exhibited in Japan and internationally, including Paris, Hong Kong, Singapore, and Jakarta, steadily expanding her global recognition and acclaim. She was born in Tokyo, where she lives and works.
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