The One/ Iris #3

Year: 2016

Material/Technique: Acrylic, Canvas

Size: 130 × 194 × 3 cm

Edition: Unique

Signed:Not Set

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USD 8,246

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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The One/ Iris #3

About the Work

Year
2016
Material/Technique
Acrylic, Canvas
Size
130 × 194 × 3 cm
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
Hitoshi Tsuboyama
Ship-from Area
Not Set
Days Until Dispatch
Not Set
Category
Painting
Style
Pop Art
Hashtag

Work Details

The One/ Iris #3

2016

アクリル、キャンバス/ acrylic on canvas

130 x 194 cm

「The one/ Iris」シリーズは、人間の眼がモティーフになっている。眼の仕組みとしての「網膜に映し出されるビジョン」と視覚芸術である「絵画」を重ねながら、その虹彩が持つ美しさにフォーカスしている。いっぽうで、眼の虹彩はその無二性や経年変化の少ないことからDNAに次ぐ精度とも言われる虹彩認証システムに利用されている。それは、個の情報が操作管理され、公(社会)の一部になるという側面も示唆している。この作品は、公と個の関係の象徴なのである。

坪山斉

"The one/ Iris" series is based on the motif of the human eye. He focuses on the beauty of the iris, layering "vision reflected on the retina" as a mechanism of the eye and "painting" as a visual art. The iris of the eye, on the other hand, is used in the iris authentication system, which is said to be second only to DNA in accuracy, because of its uniqueness and low ageing. It also suggests the aspect of individual information being manipulated and controlled and becoming part of the public (society). This work is a symbol of the relationship between the public and the individual.

Hitoshi Tsuboyama

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This artwork is available for purchase.

USD 8,246

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Hitoshi Tsuboyama
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Artist

Hitoshi Tsuboyama
✔︎

Born in 1981 in Miyagi. Completed the master's program in oil painting techniques and materials research at Tokyo University of the Arts Graduate School of Fine Arts. Since it is unique and there is little change over time, they are developing the “Iris” series drawn with a flat color surface using the iris of the eye used in authentication systems as a motif, and the “Light” series, which extracts part of that iris and takes on an abstraction, and questions the viewer about the relationship between individuals and the public and its essence. Major solo exhibitions in recent years include “Return to Seeing” (ContemporaryTokyo, Tokyo, 2024) and “ENCODE” (ContemporaryTokyoBeijing, Beijing, 2023). “Warm Current” for group exhibitions
There are (Powerlong Museum, Shanghai, 2022), etc.
As commission work in 2022, he was in charge of artwork and graphic design for UNIQLO's SUW (Sport Utility Wear) 2022 spring/summer global promotion.

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Last updated date
04.18.2020
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