Scenery with a view of rice paddies, sky, and sea (Teshima)
Year: 2024
Material/Technique: Canvas, Oil
Size: 117 × 91 cm
Edition: Unique
Signed:Included































About the Work
- Year
- 2024
- Material/Technique
- Canvas, Oil
- Size
- 117 × 91 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Category
- Painting
Work Details
Artwork price: ¥770,000 (tax included)
Size: H117 x W91 x D3 cm
Material: oil on canvas
Production year: 2024
Edition: one-of-a-kind
Framing: none
Work certificate: ◯
Sign: ◯
Sales period: 2025/3/30 (Sun) until 23:00 [first-come-first-served basis]
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----------------------------------------------------------------- “I wanted to be a contemporary painter.
It felt natural to face something with a fastball and directly draw scenes of everyday life, and I thought it was my own that there were no lies.
However, I didn't want to be a painter who just painted landscapes or people.
Even now, painters continue their quest to paint modern paintings.”
The theme of this exhibition is “nostalgia.”
It seems that people often feel “nostalgic” when they see my paintings.
What I chose as a motif was a landscape I actually saw.
In fact, I often draw the ocean on Mitashima, local scenery, and local landscapes that seem like nothing is there.
For me, I have a special reason for drawing certain places.
This is how to choose motifs that can be taken as “indigenous” and take root in that land.
The places the artist himself is accustomed to, the land where he lives, and the casual scenery we usually see are sometimes dramatically projected in our minds.
When I face paintings, I trust my instincts. I intuitively choose shapes and colors that I feel comfortable with.
Draw the landscape you want to draw as you want.
People's feelings and words cannot be seen, but I want to appeal my “soul” to viewers through the language of painting.
The memories of that time, the feeling of that time, and the time of that time are instantaneous, moment by moment. This is because we can't reproductively feel or remember the same thing.
However, I try to capture that moment by moment, and I draw pictures while shaking my heart.
■Details
Signed on the back of the work
■Exhibition scenery
■Exhibition information on exhibited works
This work will be exhibited at the solo exhibition “NATSUKASHI,” which will be held from 2025/3/1 (Sat) to 2025/3/30 (Sun) at GALLERY ROOM A, a commercial gallery in Asakusa.
Yuta Fukazawa's new solo exhibition “NATSUKASHI”
Period
2025/3/1 (Sat) to 2025/3/30 (Sun)
Venue
GALLERY ROOM A Address 2-16-5 Honjo, Sumida-ku, Tokyo KAIKA TOKYO BY THE SHARE HOTELS 1F STORAGE 1
phone number
without
Opening hours
08:00-23:00
Closed
every day during the exhibition
Admission
free
Access
8 minutes on foot from Asakusa Station on the Toei Asakusa Line, 9 minutes on foot from Honjo-Azumabashi Station, 9 minutes on foot from Kuramae Station on the Toei Oedo Line
Venue URL
https://artsticker.app/events/371
Exhibition page URL
■Interview article
Exhibition Information
- Past Exhibitions
- Yuta Fukazawa's new solo exhibition “NATSUKASHI”03.01.2025 - 03.30
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Artist
画家、現代アーティスト
1996 東京都日野市生まれ
2019 東京藝術大学 絵画科 油画専攻 卒業
2度と訪れることのない体験や感覚を描きたい。
私は、自分自身の何気ない日常や個人的な体験を元に絵画を制作しています。 制作過程において、1度描いた画面を「あえて壊す」ように描きます。なぜなら、変わっていく絵画を2度と訪れることのない体験や感覚と重ねているからです。
私は、「いま」を画面に刻み込むように絵の具の筆致や厚み、強い色彩で鑑賞者の感性に直接訴えかけています。
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